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Shure 565SD-LC

Classic Unisphere Vocal Handheld Microphone

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Shure 565SD-LC Vocal Microphone

The predecessor to the SM58, The 565SD Classic Unisphere Vocal Microphone is a dual-impedance, unidirectional dynamic microphone famous for its spot on the Woodstock stage.

It features highly effective wind and "pop" filter for vocals and a durable, wire-mesh front grille. Shipped connected for low-impedance operation, the 565SD provides excellent vocal or speech reproduction onstage, and can also be used with public address systems.

Product Features
  • Classic Unisphere Vocal Handheld Microphone
  • Versatile, high-quality microphone with sound characteristics similar to the SM58
  • Selectable dual-impedance operation
  • Silent magnetic reed on/off switch with lock-on option
  • Cardioid (unidirectional)--uniform with frequency, symmetrical about axis
  • Microphone rating impedance is 150 ohms (250 ohms actual) for connection to microphone inputs rated at 19 to 300 ohms and "High" for connection to high-impedance microphone inputs
  • Positive pressure on diaphragm produces positive voltage on pin 2
  • Internal rubber vibration-isolator cartridge shock mount
  • Swivel Adapter is adjustable through 90 degrees from vertical to horizontal, permits easy removal for handheld use, suitable for mounting on stand with 5/8"-27 thread
  • Chrome-plated die casting with steel mesh grille
  • Frequency Response: 50-15,000 Hz
  • 1-year Manufacturer's warranty
Shure 565 frequency responseShure 565sd Frequency Response

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Handheld
Designed Applications
The intended application the microphone is designed for.
Vocals
Spoken Word
Public Address
Number of Microphones
This is the number of microphones that are included in the package.
1
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Cardioid
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Dynamic
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Top
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
50 - 15,000 Hz
Sensitivity
An efficiency or sensitivity rating tells you how effectively a speaker converts power into sound. The higher the number, the more efficient the speaker and the louder it will play with the same input power. An efficient speaker helps you maximize your available power. Most sensitivity ratings measure the speaker's output with 1 watt of input, 1 meter from the speaker. Some speakers' sensitivity is measured with 2.83 volts of input, instead of 1 watt.
 
Efficiency (1w/1m) is not an accurate indicator of a subwoofer's output capability and should not be used as a comparison to other speakers or subwoofers to determine which one is "louder".
94 dB
Output Impedance
This is the amount of impedance that the microphone allows.
250 ohms
Power Requirement
Condenser microphones require an external power source to operate. Typically a +48v DC charge commonly refereed to as Phantom Power.
None
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
XLR

Specials with this Item

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Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider
Manufacturer

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Accessory Tools and Products

Accessories added

Hosa MCL-125

25 ft. XLR Microphone Cable w/ Braided Shield

Your Price $13.99

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Product Summary

Manufacturer

Model Number

565SD-LC

UPC

042406051798

Weight

0.77lbs

Internal SKU

565sdlc

Internal Product ID

30743

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Shure 565SD-LC

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