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Audix Fireball

Ultra-Small High Performance, Dynamic Cardioid Harmonica Microphone

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Audix Fireball

An ultra-small high performance, dynamic harmonica microphone. The FireBall is a professional dynamic microphone specially designed for harmonica. It is well suited for both diatonic and chromatic instruments. Characterized with a cardioid pick-up pattern and a smooth,uniform frequency response of 5015k, the FireBall will handle both live sound and studio applications. The microphone is clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion.

In addition to harmonica, the FireBall can also be utilized for saxophone, brass, flute, and vocals.

Transformerless design, low impedance, and balanced output allow interference-free performance, even with long cable runs. The FireBall consists of a durable steel mesh grill with a CNC machined aluminum body that is coated with a three-stage anodizing process.

Product Features

  • Ultra-Small High Performance Dynamic Harmonica Microphone
  • Made for and works best with harmonica applications
  • Can also work with vocals, beatbox, percussion, saxophone, trumpet, trombones, and flutes
  • Cardioid polar pattern allows for distinguished unwanted noise rejection
  • Handles "cupping" without impacting sound quality
  • Full size dynamic capsule
  • Clear and accurate sound reproduction
  • High SPL handling without distortion
  • Exceptional gain before feedback
  • Provides excellent isolation from other instruments on stage
  • Precision machines aluminum body
  • Frequency Response: 50-16,000 Hz
  • Sensitivity: @1k 1.9 mV/Pa
  • Output Impedance: 150 ohms
  • 1-year Manufacturer's warranty

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Clamp On
Designed Applications
The intended application the microphone is designed for.
Instruments
Number of Microphones
This is the number of microphones that are included in the package.
1
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Cardioid
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Dynamic
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Top
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
50 - 16,000 Hz
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
140 dB
Output Impedance
This is the amount of impedance that the microphone allows.
150 ohms
Power Requirement
Condenser microphones require an external power source to operate. Typically a +48v DC charge commonly refereed to as Phantom Power.
None
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
XLR

Specials with this Item

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Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider
Manufacturer

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Product Summary

Manufacturer

Model Number

FIREBALL

UPC

687471121214

Weight

1.00lb

Internal SKU

fireball

Internal Product ID

30825

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audix Fireball

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