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Audix Fireball V

Dynamic Cardioid Harmonica Microphone w/Volume Knob


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Audix Fireball V

Dynamic Cardioid Harmonica Microphone w/Volume Knob


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Audix Fireball V

Designed, assembled and tested by Audix in the USA, the FireBall V is a professional dynamic instrument microphone intended for harmonica (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion, the FireBall V is ideally suited for both live stage and recording applications, and has the added convenience of a volume control.

The FireBall V is characterized with a cardioid pickup pattern for isolation and feedback control, and is equipped with a VLM (Very Low Mass) diaphragm for natural sound reproduction with exceptional transient response.

With a wide frequency response of 50 Hz - 16 kHz, the FireBall V is lightweight, compact, and comfortable to hold. Roadworthy construction includes a precision cast zinc alloy body, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a tension-fit heavy duty nylon mic clip.

The FireBall V is a low impedance microphone; when using the FireBall V with a guitar amplifier, a high quality low-high impedance transformer (such as T50K) is required.

Product Features

  • Dynamic Harmonica Microphone with Volume Control Knob
  • Made for and works best with harmonica applications on a live stage, or in a studio
  • Can also work with vocals, beatbox, percussion, saxophone, trumpet, trombones, flutes, and accordions
  • Cardioid polar pattern allows for distinguished unwanted noise rejection
  • Handles "cupping" without impacting sound quality
  • Full size dynamic capsule
  • Clear and accurate sound reproduction
  • High SPL handling without distortion
  • Exceptional gain before feedback
  • Provides excellent isolation from other instruments on stage
  • Precision machines aluminum body
  • Frequency Response: 50-16,000 Hz
  • Sensitivity: @1k 1.5 mV/Pa
  • Output Impedance: 150 ohms
  • 1-year Manufacturer's warranty

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Designed Applications
The intended application the microphone is designed for.
Number of Microphones
This is the number of microphones that are included in the package.
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
50 - 16,000 Hz
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
140 dB
Output Impedance
This is the amount of impedance that the microphone allows.
150 ohms
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).

Specials with this Item

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Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider

Summary of Customer Ratings & Reviews

Rating Distribution

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1 Star

Average Attribution Rating



Best ever!

October 17, 2012

Microphone came in great and secure package, undamaged. This microphone makes quality recordings and so far is the best ever microphone for this value I had. Highly recommended for beat boxers.

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Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audix Fireball V

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