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Audix Micro-D

Miniature Instrument Cardioid Condenser Microphone w/Shockmounted Gooseneck for Drums and Percussion

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Audix Micro-D

Designed, assembled and tested by Audix in the USA, the Micro-D is a miniaturized condenser microphone used for professional stage and studio applications. The Micro-D, known for its clarity, excellent transient response, resistance to feedback, SPL handling and ease of operation, is primarily aimed for miking drums and percussion instruments.

The Micro-D is characterized with a uniformly controlled hypercardioid polar pattern, provides excellent isolation and feedback control on stage as well as natural sound reproduction at very close distances.

With a smooth and accurate response over a frequency range of 40 Hz - 20 kHz, the Micro-D is lightweight, compact and simple to use. Housed in an aluminum ring and isolated by means of a rubber shockmount system, the Micro-D comes with the DVICE mount for drums (included) or the DCLAMP mount for hand percussion (optional accessory). A number of other optional accessories are available which allow the Micro-D to be used on a mic stand or cymbal stand for a wider variety of applications.

The Micro-D operates on phantom voltage of 9 - 52 Volts and is supplied with a phantom power adapter, 6 ft integrated mic cable and carrying pouch.

Product Features

  • Small, lightweight, low profile
  • High SPL handling
  • Miniaturized integrated preamp circuitry
  • Excellent for close miking
  • Great for Drums, Hand percussion (Model Micro-DHP), Cymbals, percussion toys
  • 3-year Manufacturer's warranty

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Clamp On
Designed Applications
The intended application the microphone is designed for.
Acoustic Guitar
Drums
Guitar Amps
Instruments
Number of Microphones
This is the number of microphones that are included in the package.
1
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Hypercardioid
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Condenser
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Top
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
40 - 20,000 Hz
Signal-to-Noise Ratio
This spec compares the strength of the signal to the level of background noise. A higher value indicates less background noise.
70 dB
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
140 dB
Output Impedance
This is the amount of impedance that the microphone allows.
250 ohms
Power Requirement
Condenser microphones require an external power source to operate. Typically a +48v DC charge commonly refereed to as Phantom Power.
+48v (Phantom)
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
XLR

Warranty and Return Policy

Parts Warranty Duration
3 years
Labor Warranty Duration
3 years
Warranty Provider
Manufacturer

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Accessory Tools and Products

Accessories added

Hosa MCL-125

25 ft. XLR Microphone Cable w/ Braided Shield

Your Price $13.99

Hosa MSC-025

25 ft. MSC XLR Microphone Cable w/ SWITCHCRAFT Connectors

Your Price $29.99

Hosa CMK-025AU

25 ft. Elite XLR Microphone Cable w/ Gold Contacts & Black Chrome Finish

Your Price $36.99

Product Summary

Manufacturer

Model Number

MICRO-D

UPC

687471221051

Weight

8.00lbs

Internal SKU

microd

Internal Product ID

30833

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audix Micro-D

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