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Audix CX112B

Large Diaphragm Microphone with -10db Pad and Bass Rolloff

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List price $330.00

$299.00

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39.99

38328

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Audix CX112B

$299.00

+

100% OFF

Samson MK-5

$39.99

Special Price $0 ($39.99 if purchased separately)

Samson MK-5

• Heavy-duty Adjustable Boom Mic Stand
• 18' Samson XLR Mic Cable, Mic Clip and Windscreen Included

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Combined Total Price

$299.00

You Save $39.99

Audix CX112B

The Audix CX-112B is an affordable yet professional grade large diaphragm condenser microphone. Sporting a contemporary design and excellent performance characteristics, the CX-112B is a powerful tool for professional audio production, project studios and live stage performances. Delivering a uniformly smooth frequency response from 20 Hz - 20 kHz, the CX-112B offers a full, rich sound ideal for vocals and acoustic instruments. The CX-112B is equipped with a 35mm capsule and a bass roll-off filter to help eliminate rumble in the lower frequencies and a 10 dB pad for use in higher sound pressure levels up to 148 dB. The CX-112B is ideal for a wide variety of acoustic instruments, vocals, string sections, guitar, ensembles, guitar cabinets, ambient room miking and live stage. Designed with discreet low noise preamp circuitry, the CX-112B operates on 48 volt phantom power.

Product Features

  • Large Diaphragm Condenser Studio Microphone
  • Gold-sputtered diaphragm 35 mm Capsule
  • 27.5 mm Gold vapor diaphragm
  • Low noise electronics
  • 10 dB pad and bass roll-off
  • High SPL capability of 138 dB (148 dB with 10 dB pad)
  • Rich warm tones - ideal for digital recording
  • Adjustable metal clip allows for secure positioning
  • Frequency Range: 20 Hz - 20 kHz
  • Output Impedance: 120 Ohms
  • Sensitivity: 18 mV / Pa @ 1k
  • Equivalent Noise Floor 15 dB (A weighted)
  • Signal to Noise Ratio 79 dB
  • Adjustable one piece metal clip
  • Foam-lined wood case
  • Dimensions: 6-1/2"L x "W x "H
  • Authorized Internet Dealer
  • 3-year Manufacturer's warranty

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Designed Applications
The intended application the microphone is designed for.
Number of Microphones
This is the number of microphones that are included in the package.
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
Sensitivity
An efficiency or sensitivity rating tells you how effectively a speaker converts power into sound. The higher the number, the more efficient the speaker and the louder it will play with the same input power. An efficient speaker helps you maximize your available power. Most sensitivity ratings measure the speaker's output with 1 watt of input, 1 meter from the speaker. Some speakers' sensitivity is measured with 2.83 volts of input, instead of 1 watt.
 
Efficiency (1w/1m) is not an accurate indicator of a subwoofer's output capability and should not be used as a comparison to other speakers or subwoofers to determine which one is "louder".
Signal-to-Noise Ratio
This spec compares the strength of the signal to the level of background noise. A higher value indicates less background noise.
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
Output Impedance
This is the amount of impedance that the microphone allows.
Pad(s)
A pad is a term used for built in attenuation in a microphone or pro audio channel strip.
Roll Off Filter
A low frequency filter found on microphones commonly expressed with a threshold in Hz and a slope in -dB/Octave.
Power Requirement
Condenser microphones require an external power source to operate. Typically a +48v DC charge commonly refereed to as Phantom Power.
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
Length
The overall length of the microphone.
Diameter (inches)
A straight line running from one side of a circle or other rounded geometric figure through the center to the other side, or the length of this line

Wireless Specifications

Carrier Frequency Range
The frequencies of radio waves used by wireless communication transmitters and receivers. VHF 30 to 300 MHz, wave length 1 to 10 m UHF 300 to 3000 MHz, wave length 10 to 100 cm
Operating Range
The maximum span of distance between The Transmitter and Receiver.
Number of Channels
The number of different frequency Channels that a wireless microphone system is capable of using.
Transmitter Type
The type of transmitter in a wireless microphone system.
Receiver Type
The type of receiver used in a wireless microphone system.
Diversity
True Diversity receivers have two radio modules and two antennas. Diversity receivers have one radio module and two antennas, although some times the second antenna may not be obviously visible. Non-diversity receivers have only one antenna.

Warranty and Return Policy

Parts Warranty Duration
3 years
Labor Warranty Duration
3 years
Warranty Provider
Manufacturer

Summary of Customer Ratings & Reviews

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Product Summary

Manufacturer

Model Number

CX112B

UPC

687471241202

Weight

2.20lbs

Internal SKU

cx112b

Internal Product ID

38328

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audix CX112B

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