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Audio Technica ATW-251/G T3 (170.245MHz)

UniPak Body-Pack Wireless Guitar System

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This item has been discontinued

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200 Series Freeway VHF Wireless Systems:

Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Available in handheld, headworn, guitar, lavalier and body-pack configurations, the 200 Series Freeway Wireless Systems are single-channel, fixed-frequency systems available in three VHF frequencies (169.505, 170.245, and 171.905 MHz).

Each 200 Series Freeway Wireless System includes the ATW-R250 receiver and either a body-pack transmitter or handheld microphone/ transmitter. The ATW-R250 is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R250 also offers volume control along with AF Peak, RF and Power indicator lights.

Product Features:

  • UniPak Body-Pack System for Wireless Microphones
  • ATW-R250 receiver, ATW-T201 transmitter and Hi-Z instrument input cable
  • Easy operation and clear, natural sound quality
  • Reliable performance and durable construction
  • Advanced dipole antenna system for extended operating range
  • Power, RF, and AF Peak indicators
  • Volume control, 1/4" output jack and space-saving power supply
  • Rugged unidirectional dynamic element on handheld microphone/transmitter
  • Variable microphone trim control and easily accessible On/Standby/Off switch on transmitters
  • Professional locking connector on UniPak body-pack transmitter
  • Signal-to-Noise Ratio: 80 dB
  • THD (Total Harmonic Distortion): 1%
  • Also Found As: ATW251G, ATW-251G, ATW251/G, ATW-251/GT3, ATW251/GT3
  • 1-year Manufacturer's warranty

Available Frequencies Include:

Audio Technica Authorized Reseller

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Wireless
Designed Applications
The intended application the microphone is designed for.
Guitar Amps
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Dynamic
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
Not specified by manufacturer
Sensitivity
An efficiency or sensitivity rating tells you how effectively a speaker converts power into sound. The higher the number, the more efficient the speaker and the louder it will play with the same input power. An efficient speaker helps you maximize your available power. Most sensitivity ratings measure the speaker's output with 1 watt of input, 1 meter from the speaker. Some speakers' sensitivity is measured with 2.83 volts of input, instead of 1 watt.
 
Efficiency (1w/1m) is not an accurate indicator of a subwoofer's output capability and should not be used as a comparison to other speakers or subwoofers to determine which one is "louder".
Not Specified by Manufacturer
Signal-to-Noise Ratio
This spec compares the strength of the signal to the level of background noise. A higher value indicates less background noise.
80 dB
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
Not specified by manufacturer
Output Impedance
This is the amount of impedance that the microphone allows.
Not specified by manufacturer

Wireless Specifications

Number of Channels
The number of different frequency Channels that a wireless microphone system is capable of using.
1
Transmitter Type
The type of transmitter in a wireless microphone system.
Beltpack
Receiver Type
The type of receiver used in a wireless microphone system.
Portable
Diversity
True Diversity receivers have two radio modules and two antennas. Diversity receivers have one radio module and two antennas, although some times the second antenna may not be obviously visible. Non-diversity receivers have only one antenna.
No

Specials with this Item

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Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider
Manufacturer

Summary of Customer Ratings & Reviews

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Product Summary

Manufacturer

Model Number

ATW-251/G

Weight

3.50lbs

Internal SKU

atw251gt3

Internal Product ID

41411

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audio Technica ATW-251/G T3 (170.245MHz)