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Blue Yeti

Multi-Pattern Tri-Capsule Condenser 48kHz/16-bit USB Microphone

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$149.00

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The Blue Yeti Multi-Pattern USB Microphone:

The Yeti is one of the most advanced and versatile multi-pattern USB microphones available anywhere. Combining three capsules and four different pattern settings, the Yeti is an ultimate tool for creating amazing recordings, directly to your computer. With exceptional sound and performance, the Yeti can capture anything with a clarity & ease unheard of in a USB microphone.

The Yeti features Blue's innovative triple capsule array, allowing for recording in stereo or your choice of three unique patterns, including cardioid, omnidirectional, and bidirectional, giving you recording capabilities usually requiring multiple microphones.

The Yeti utilizes a high quality analog-to-digital converter to send incredible audio fidelity directly into your computer, a built-in headphone amplifier for zero-latency monitoring, and simple controls for headphone volume, pattern selection, instant mute, and microphone gain located directly on the microphone. There are no drivers to install - simply plug the Yeti into your PC or Mac, load up your favorite recording software, and record something amazing.


Product Features:

  • Multi-Pattern Tri-Capsule Condenser USB Microphone
  • Zero-latency headphone output with amplifier & volume control
  • Standard threaded mic stand mount
  • Includes custom desktop base with cable management
  • 4 polar patterns: stereo, cardioid, omni & bi-directional
  • Plug 'n' play functionality
  • Built-in headphone amplifier
  • Also found as: yetiusb, yeti-usb, blue yeti, blueyeti, blue-yeti
  • Authorized Internet Dealer
  • 1-year Manufacturer's Warranty

To find out more about these polar patterns and the condenser microphone design,
check out these blog posts:
Demystifying Microphones
Polar Patterns (Demystifying Microphones Part 2)

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Table Top
Designed Applications
The intended application the microphone is designed for.
Acoustic Guitar
Bass Amps
Broadcasting
Conferencing
Guitar Amps
Harmonica
Podcasting
Vocals
Spoken Word
Instruments
Number of Microphones
This is the number of microphones that are included in the package.
3
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Stereo, Cardioid, Omni & Bi-Directional
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Condenser
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Side
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
20 - 20000 Hz
Signal-to-Noise Ratio
This spec compares the strength of the signal to the level of background noise. A higher value indicates less background noise.
100 dB
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
120 dB
Output Impedance
This is the amount of impedance that the microphone allows.
16 ohms
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
USB
Length
The overall length of the microphone.
11-5/8"
Diameter (inches)
A straight line running from one side of a circle or other rounded geometric figure through the center to the other side, or the length of this line
4-3/4"

Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider
Manufacturer

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Product Summary

Manufacturer

Model Number

Yeti Microphone

Weight

2.20lbs

Internal SKU

yeti

Internal Product ID

45178

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Blue Yeti

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