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Audix OM3 3-Pack

3 Pack Dynamic Hypercardioid Multi Purpose Vocal and Instrument Microphones

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List price $540.00

$348.00

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Arrives by Monday, Sept. 22 to zip 98109

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Audix OM3

Designed, assembled and tested by Audix in the USA, the OM3 is a dynamic vocal microphone used for a wide variety of live, studio and broadcast applications. The OM3 is known for its clear and accurate sound reproduction, resistance to feedback and ability to handle very high sound pressure levels without distortion.

The OM3 is characterized with a tight and uniformly controlled hypercardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz - 18 kHz, the OM3 employs a VLM (Very Low Mass) diaphragm for a clean and natural sound with exceptional transient response.

The OM3 is naturally attenuated in the lower mid-bass frequencies in order to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the OM3 an excellent choice for PA systems of all sizes. The OM3 is well balanced, comfortable to hold, durable and manufactured with high standards and tight tolerances.

Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy duty nylon clip.

Product Features

  • Dynamic Hypercardioid Vocal and Instrument Micrphone
  • Can be used in applications such as a live stage or recording studios
  • For use with vocals in broadcast, and home studios
  • Works well with instruments such as the saxophone, brass, guitar, dobro, flute, percussion, and drums
  • Hypercardioid polar pattern allows for distinguished unwanted noise rejection
  • Frequency Response: 50-18,000 Hz
  • Sensitivity: @1k 1.7 mV/Pa
  • Output Impedance: 250 ohms
  • 1-year Manufacturer's warranty

Microphone Specifications

Microphone Type
This is the type of microphone included with the purchase of the item.

Wireless:All of these microphones can be used without the necessity of wires or cables to connect them. They usually come with a receiver that connects to the input device where the audio signal is being sent.

Shotgun: These microphones are suspended on a boom and are used primarily in video production and broadcasting.

Lavaliere: These microphones are clipped on to the lapel or tie of the talent for broadcast and video production audio.

Table Top: These microphones are designed with a built in stand or to be placed on a table top stand to be used for broadcasting and podcasting applications.

Headset: These microphones are to be worn on the head typically for live performance and theater production.

Handheld: These microphones are held in the hand and are used in a wide range of applications primarily vocals and public address.

Clamp On: These microphones attach directly on to an instrument.

Drum Package: These microphones are an all in one package for drums typically made of dynamic Kick, Snare, Tom, and a stereo condenser pair of overhead mics for Cymbals.

Handheld
Designed Applications
The intended application the microphone is designed for.
Vocals
Spoken Word
Public Address
Instruments
Number of Microphones
This is the number of microphones that are included in the package.
3
Polar Patterns
The polar pattern of a microphone determines how sensitive it is to receiving sounds as they arrive at different angles.
Hypercardioid
Transducer Type
The transducer type is the manner in which the audio signal is converted into an electrical signal.
Dynamic
Address
The configuration of the capsule determining on which side the microphone is sung or spoken into.
Top
Frequency Response
The range of frequencies the speaker will reproduce (lowest frequency to the highest). Bigger is better, meaning the wider the range, the better. The optimal range is 20 - 20,000 Hz (which is the range of human hearing).
50 - 18,000 Hz
Maximum Sound Pressure Level
This is the maximum sound pressure level that the microphone is capable of accepting and transferring into an electrical signal.
140 dB
Output Impedance
This is the amount of impedance that the microphone allows.
250 ohms
Power Requirement
Condenser microphones require an external power source to operate. Typically a +48v DC charge commonly refereed to as Phantom Power.
None
Connection Type
This is the manner in which the microphone connects to the source unit. For wired microphones, this is the connector that directly connects the microphone to the mixer (or other input source unit). For wireless microphones, this is the connection that connects the microphones receiver to the mixer (or other input source unit).
XLR

Specials with this Item

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Warranty and Return Policy

Parts Warranty Duration
1 year
Labor Warranty Duration
1 year
Warranty Provider
Manufacturer

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Accessory Tools and Products

Accessories added

Hosa MCL-125

25 ft. XLR Microphone Cable w/ Braided Shield

Your Price $13.99

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Product Summary

Manufacturer

Model Number

OM3

Weight

3.00lbs

Internal SKU

om3_3pack

Internal Product ID

78065

Sonic Electronix Wiring Guide

Wiring Diagram Legend

Warning: The image depicted shows the resistance change when wiring multiple subwoofer terminals. Please refer to your subwoofer's owner's manual for the proper wiring of its terminals. Sonic Electronix, Inc. is not responsible for damage caused to your audio system or vehicle due to improper installation. Please call tech support at 1-877-289-7664 if you require additional assistance.

Product Name: Audix OM3 3-Pack

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